This year, we bought tickets for Syd Festival's headlining 'choreographic opera' Dido and Aeneas for mum's birthday. Seeing it on closing night, I can only say, it was an interesting experience.
I'm not quite sure what to say.
A part of me tried so, so hard to love it. The opening arc was performed in a huge tank that was initially visually grand, but progressively it became messier and messier - a theme that generally translates to what happened over the course of the 1 hour and 40 minutes. Language barriers and accents prevented any real explanation to be given which was pretty vital given that more often than not I was confused with the relevance of what I was seeing and desperately trying to find links with the traditional Dido and Aeneas storyline that I already knew. What confused matters even further was that the opera 'voices' of the eponymous tragic heros were played by a different singer - ie. there were 2 Didos and 2 Aeneas' where one was the dancer and one was the singer. Now call me silly, but I would think if they had a matching costume at least that would make more sense and provide a bit of clarity - otherwise with singers and dancers blurring together, the roles made no sense and produced a fairly incoherent production.
Now don't get me wrong, there were some moments that I enjoyed. About halfway through, I gave up trying to actively understand and appreciated the visual spectacle of it and the fluidity of the dancers movements in conjunction with the voices of the operatic singers. In focusing on the colour, set design, and remarkable staging (brownie points on staging, truly); I felt that I could enjoy the production to some extent. What was unfortunate is every time I began to immerse myself in it, an arc/section finished and suddenly it was a new garbled scene which my brain automatically attempts to make sense of.
Ambitious maybe, but I don't think it was quite my thing. I find myself agreeing with the concepts that Sasha Waltz endeavours into, but I just feel like the execution was just a bit too messy. Unfortunately I have to agree with The Guardian and (oh lord), The Australian.
On a separate note, the music really was breathtakingly beautiful, and the singing was ethereal.
*Disclaimer: All images are not my own











